With the very high contrast, elegant proportions, many alternate glyphs and ligature overload, Prestiggio is an instant fashionizer. Prestiggio ships with 95 discretionary ligatures (uppercase and lowercase), alternate characters, old-style figures, pictograms, arrows, prebuilt words and support for 85 Latin-based languages. The characters can be replaced automatically with the stylistic sets function, but you will get the best results using the glyphs palette. Recommended for editorial, book, poster and packaging use.
Bride Style, A sweet beautiful delicate script font. Inspired from the wedding modern calligraphy style but presented in a fashion editorial way. Perfectly fit for branding, logo, wedding things, greeting cards, fashion, lookbook, moodboard, presentation, imagine the luxury, beautiful, stylish, and casual in the same time.
In 2009, Corradine Fonts released one of its most successful projects: Mussica, an experimental and hybrid typeface that explore the exaggeration of ascenders and descenders in a high contrast style. Now, around eight years later, we are proud to introduce Mussica Italic, which surpass the original version in quality and quantity of ornamental possibilities while try to maintain its proportions and looking. Mussica Italic is programmed to obtain a smart replacement of swashes, endings and ligatures using the Open Type features, but you can also explore manually its wide range of alternatives to get the best graphic result according to your requirements.
Mussica Italic supports most of Western and Central European languages.
Welcome fashionistas, we have designed a type family based on fashion and current trends. Trendy, the new font of our studio follows the same design line that represents us, processes with brush lettering, variety of characters, OpenType programming and a special touch that reflects a boho chic style.
The soul of Trendy is inspired in the logotype of one of the most influential type foundries around the world. Because of its great contribution in graphic design we have decided to pay tribute by expressing our gratitude for being an icon in the design world, the most recognized type designers of the last years have been part of that type foundry and for being source of inspiration for new designers. More…
Trendy represents a fashion house, a place that breathes fashion, there are inside 5 determining variables for designing time: Regular, Bold, Black, Display & Stencil. Discover this new way to see the glamour world all include in a type family.
To know more about our new project, Trendy, visit our web site www.estudiocalderon.co and our portafolio in Behance.
Sybarite is a fat face that works at any size. Capitals with sweeping curves and sharp unbracketed serifs command attention while charming minuscules expose the amiable side of its demeanor.
Sybarite is James Puckett’s revival of the fat face type that appears in the 1829 specimen of Alonzo W. Kinsley’s Franklin Letter Foundry. Kinsley’s was a very short-lived and unprofitable business. It opened in 1825 (some sources say 1829) and ended in 1832 upon Kinsley’s death. More…
High-contrast typefaces like Sybarite have thin hairlines that translate poorly to scalable digital type. A hairline thin enough to remain a hairline at large sizes disappears at smaller sizes. And a hairline serif drawn for small sizes turns into a slab serif at large sizes. Solving this problem requires the creation of optical weights; fonts tuned for a certain size range, just as they existed in the era of metal type.
Designed in 1923 by Friedrich Kleukens for the Stempel foundry, Ratio was one of the first metal faces to bring the Didone genre to the forefront of industrial mass publishing as a headline and magazine face. Though essentially modern in construct, Ratio incorporates some old-style and transitional traits, managing to summarize the European evolution of this particular aesthetic. This is evident in its shaped serifs, soft roundings, an elegantly subdued italic, the variation of its shapes between weights, and the obvious fat face influence in the ExtraBold. Thus Ratio finds the balance between modern elegance and fine typographic tradition. More…
This exclusive digitization expands on the original metal set by including small capitals and many alternates in all the styles. It also boasts a larger than usual linguistic support.
Dolcetto Script is a Modern Calligraphy Script Typeface with amazing character & a multitude of letter variations to make that perfect and unique design. Ideal for a logo, a name tag, handwritten quotations, product packaging, goods, social media and greeting cards. It contains a complete set of lower and upper case letters, assorted punctuation, numbers, swash and multilingual support.
The font also contains several ligatures and contextual alternates for lower case characters, accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu.
Designer(s): Zvika Rosenberg Publisher: Masterfont Design Date: 2013 Download Prozdor MF Now → About Prozdor MF Font Example(s) of Prozdor MF
Inspired by a series of handwritten menus produced in 1980, La Carte is a stylish but legible script that sets as well in body copy as it does in headlines.
Maiden Sans is a humanist sans-serif based typeface which contains nine weights, from thin to black. Designed to use as body text to headline. The design of Maiden Sans typeface can easily be recognized at the terminal with reverse pen-head style and a bit sweet link!
Roxic doesn’t push boundaries, or break them; Roxic doesn’t recognise your pedestrian concept of boundaries. It doesn’t so much laugh in the face of convention as much as it refuses to acknowledge its very existence. Roxic is a font for the modern day, but without the layers of pretension so often associated with modernism. Elegantly conveying your message with its uniquely delicate sturdiness, Roxic is a font that people haven’t met before, but they can’t help but trust it.
Designer(s): David Shapira Publisher: Masterfont Design Date: 2013 Download Asher Outline MF Now → About Asher Outline MF Font Example(s) of Asher Outline MF
Designer(s): Asher Oron Publisher: Masterfont Design Date: Download Oron New Now → About Oron New Font Example(s) of Oron New
A distinguished new font from Oporto Design, Capa is clean, modern and urban.
Sidewalk Cafe will serve up a look from your Font Menu that’s delectably deco.
Though developed from a few hand-lettered words found on a 1930s poster, it retains a contemporary flavor.
The shaded version is designed to be layered over Sidewalk Cafe Underlay, to create contrasting color possibilities,
as both share the same kerning values. More…
Supports Western and Central European Latin languages, in addition to Baltic, Celtic, Esperanto, Romanian and Turkish.
Celebrity is a new execution of a film type concept put forth by Willy Wirtz in 1971. The original idea, called Latus, had many irregularities and unfit characters that are now fixed and expanded in this digital version.
Celebrity’s construct combines extreme thicks with hairline thins to build forms that contribute to a type totality that is at once modern and techno, as well as retro-deco. Eye catching and memorable, Celebrity is ideal for use on posters, book covers, media sleeves and packaging. It also has enough geometric appeal to inspire unique logos and set attractive titling. More…
Celebrity comes in all popular font formats, and includes a very expanded Latin character set.
Loco is an impacting display typeface playing with simple geometric forms perfect for posters, flyers, magazines and everything that needs to look bold, noticeable and up-to-date.
Loco was created to perfectly match Ambassador Plus Sans Light. Their combination offers a flexible tool for your creative designs.
Oporto is a modern font which blends the cosmopolitan and bohemian mood from Oporto city in a elegant and timeless design.
This beautiful new sans serif is named after the well-known New York resorts synonymous with style and elegance.
Though primarily a display face, Hamptons BF is also suitable for settings of large text.
Based in Maria Consuelo Roman’s handwriting, Mimi’s Hand Connected is a very spontaneous font. It could be used in any informal project.
Designer(s): Manuel Eduardo Corradine Publisher: Corradine Fonts Design Date: 2008 Download Prissa™ Now → About Prissa™ Font Example(s) of Prissa™
Developed from the simplest possible curves, Amy is a wide hand lettered style with tall straight ascenders and generously looped descenders. The capitals are centred horizontally with the lower case. A handful of ligatures helps copy to flow for easy reading and optional proportionally spaced numerals make the font suitable for quite lengthy chunks of copy.
An oval-brush-script with some opentype discretionary ligatures along with other ligatures and fractions. Palazzo Solo is the same as Palazzo Regular but is an unconnected version.
Harpsichord (as I have named it) is from the late 1940s and was designed at Lucian Bernhard Studios in New York for Bernhard’s Magnetype Collection.
It was originally published as ‘Community Low’ along with ‘Community Condensed’.
Many of his Magnetype Fonts have been dormant which I hope to revive in the near future.
2 font faces that combine together with attached lower case glyphs. A combo type-face that can be used with or without joining its lower case.
A formal text font designed for legibility, suitable for documents, books and intense text requirements.
An unconnecting informal yet formal script. Caravan is a rambling font which gives the appearance of going places.